As someone who spends a lot of time searching for words, I am always relieved to find engagement apart from the written or spoken word. Don’t get me wrong, I love words. I’m using them now to give voice to the transformative power of dance.
And theater. I love movement with supporting visual orientation and Paula Josa-Jones is a master of the theatrical move.
But, as important as that is, it’s not why I’m writing. I’m here to tell a story. It’s about passion and commitment and collaboration. I’ve been photographing Paula since early in 1985. When I saw her in front of my lens I knew I’d been waiting for this mixture of innovative movement, comfort with the camera and an eye for detail that allowed my wild eye to flourish.
Now, when I talk about passion and commitment, I am not talking about us, Paula and me. I’m talking about Paula reaching out, asking dancers, set designers, and all those connected to production to plunge into their most authentic selves and come together to make truth in the work.
It takes courage and steadfast wildness to come to this place. And that’s where my story begins.
A few years back Paula was searching. We had moved here to the NW corner of Connecticut. Dancers were in Boston. Horses on the Vineyard where we had spent twelve years and major production of RIDE, dance theater with horses.
Now that I’m writing this, it seems simple. If you’re alone, do solo work. Duh. But then it was a revelation. Like a sword finally untethered, sharp and ready to strike. So, use it, duh.
When she asked me, I said, do a solo, you’re really good at it. But something had been hiding, Paula was shy. Who knew? Her company of beautiful dancers acted as a shield and we had chosen to live in a new place without “protection.”
She started rehearsing. Building this new solo work, Little Fictions, Ragged Memoirs. This is a lengthy process and now – I’m not sure how many years later – performances, dance showcases, artistic residencies, 1000 hours of listening to music, collecting brilliant collaborators. looking at costumes and photographs – not all mine, check out her Pinterest site.
This is serious work. Important work. Evocative and smart work. She does her best, is doing her best. You too, please. Thank you.
Open the gate – you won’t be sorry!